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ISSUE
59 FEATURES
YOSHINOBU
OHTA 6th Dan JKA.
Interview By Rod Butler.
The
Paradox of Outside Tension: Inside Tension.
By Tim Hanlon.
Kata
Bunkai - The debate continues. By Bill Burgar.
Self-Defence
- Kata: What's all the fuss about?
By J. Cheetham.
Letters
to the Editor.
Sensei
KASE in Germany & Luxembourg.
Reports By Mike Cowburn.
HIROKAZU
KANAZAWA - (New video release).
Review By J. Cheetham.
TEN
NO KATA & TAIKYOKU KATA. By Harry Cook.
The
KIAI! By Simon Oliver.
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There's
a wide and varied choice of articles in this edition which I'm sure you
will all enjoy. There are some little gems in sensei Ohta's interview
if you read it carefully, especially regarding points like; who creates
the atmosphere in the dojo and the culture differences between Japan and
the West where training attitude is concerned. It's one of those interviews
you need to read a few times.
The
kata bunkai debate continues in Bill Burgar's article and also in my piece.
My argument basically is that there is nothing wrong with practicing kata
both as solo exercises and applying moves from kata as bunkai. This surely
is 'traditional training'. However, how can people talk about 'street'
self-defence in the same breath as karate-do? It's a different ball game!
Street-fighting is not about etiquette, morals or gi's and bare feet!
You only have to look at what the professionals do! They 'do not'
practice bunkai or kata and 90% of their training is based on 'conditioning'
just like a professional boxer! And rightly so!!
I would
suggest you read the technical article by Dr. Timothy Hanlon, 'The Paradox
of Outside Tension Stances'. Many people can, and indeed do, look O.K.
in a stance/posture i.e. zenkutsu dachi - kokutsu dachi - kiba dachi -
neko ashi dachi etc: but in all honesty, how many students really understand
'how' these stances/postures work and know 'why' they are so important
in the delivery of techniques? And what is supposed to be happening in
a physical, dynamic, scientific way with regard to our legs and hips,
and the role they play in these movements? Of course all these things
add up to trying to make maximum power and effectiveness in each movement
and to get total body mass behind each technique. If you are studying
and practicing Shotokan as an art, then you are missing out if you don't
understand the principles and concepts of the style. This article will
explain the 'how' and 'why' (in this case regarding forward stance - zenkutsu
dachi) and put you in the picture. It may appear complex at first but
the general idea is very simple, it's about how to achieve maximum transmission
of power on delivery of technique! In a way, this is the argument that
says that 'good form' is so very important and necessary in Shotokan karate.
Understanding 'how' and 'why' we use these stances and postures and why
we pay such attention to the correct detail and correct posture required
for their practice, should be mandatory for Shotokan students. Some people
say that Shotokan practitioners are obsessed with having 'good form'.
Others say, "Thank goodness for that because if your health and body condition
mean anything to you, then trying to develop 'good form' is the best thing
you can do! Good posture is a prerequisite for good health and 'good form'
also means creating the 'maximum' effect with the 'minimum' effort!"
Brian
Woods 6th Dan, (England) a loyal student of Sensei Kato 8th Dan, sadly
died of cancer on 14/4/99 aged 58. I knew Brian, a fantastic karateka
and a caring, warm human being who loved karate and also loved life to
the full. He will be sadly missed by his wife Lisa and his friends and
family. OSS! Brian. Editor.
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